Book Thirty-Eight - The Shell Seekers - Part One

What is a basket chair? This book, published in 1987 and set in England, mentions basket chairs a lot. I Google-imaged but am confused!

And OMG I am SO loving this book! I don't want to stop reading for pesky things like eating and working and sleeping. I LOVE LOVE LOVE it!

Book Thirty-Seven - The Alchemist

Paulo Cohelo

I took a break from The Shell Seekers (which I'm thoroughly enjoying) to read this month's book club selection, The Alchemist. Oh my goodness, Mr Cohelo, you sure know how to tell a story.

I read it in two days. I do love a quest, and the protagonist of this book is on quite the quest. He's an Andalusian shepherd boy and I experienced his journey, his highs and lows, his passions, and his joy along with him. He's way more mature than I am, though. He has a sense of self that never seems inflated; he takes a noble journey without setting out to change the world. All of it and none of it is about him.

We are afraid of losing what we have, whether it's our life or our possessions and property. But this fear evaporates when we understand that our life stories and the history of the world were written by the same hand.

The Alchemist is a very spiritual book but it is never preachy - or so it seems to me. It might be interpreted differently by one who has rejected religion and/or  spirituality of any sort. Yet the questions are universal and so I think even someone who disagrees with the main premise (see above quotation) will find merit in the boy's quest. 

The author has a video on Amazon about this book - he enjoys reading the reviews!

Book Thirty-Six - Tess of the D'Urbervilles by Thomas Hardy

Well I got through the first part anyway. The first part is called "The Maid" and since it was written in the Victorian era, you just know that title doesn't have anything to do with scrubbing floors. Tess was so wishy washy! She was like a freshly caught fish flopping around in a boat, turning first this way and then that. Not that I'm any great fisherman, mind. I like the sitting in the boat part and the casting part, but I believe that the killing and the cleaning are best left to professionals. Anyway, Tess was sort of like that fish out of water, not fitting into her new situation. There are so many things she could have done to make it better! I know she was young and conflicted even before she got there, but she recognized a snake and didn't move away from it. She should have allowed the snake to inhabit his own territory while she went the other way. (Got kinda an animal thing going on here, don't I?)

I didn't feel like I got enough description from Hardy. There was a brief mention about Tess' living quarters when she moved but what was it like? What did it look like? Was it comfortable or simply tolerable? Reading Tess felt like an assignment, as if someone told me to elaborate on the symbolism. Symbolism schymbolism, why didn't she tell that woman the truth? It couldn't all have been about her "place" in society. Tess was educated. She must have learned about other people and other ways of life when she was in school.

I won't be finishing Tess, invoking rule #2.

The next book I'm reading is The Shell Seekers by Rosamunde Pilcher. It was published in 1987 and all I know is that it is about a family. I hope it's something I can love! The time before I start a book is always filled with promise.

I chose The Shell Seekers because it jumped off the shelf at me. I'm speaking literally: as much as a book can talk, this one said, "Read ME!" as it fell to the floor in front of my desk. For several months it's been sitting on the same shelf as a dozen other to be read books and yesterday it apparently decided it was tired of waiting. I just love it when a book speaks to me.

Who's With Me?

I'm considering reading Gone With The Wind next. Anyone want to join me??? Should be a delightful 1472 pages, and I hope to discover what was appealing about Ashley. Oops, spoiler alert!

Middlemarch

George Eliot

Finished. Finally.

It isn't as though I hated it. It got better toward the end but it never got really good. I should have trusted my earlier instinct about it. Finishing it seemed like a chore and that is not why I read.

One quote I enjoyed -

But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.

Amen to that. And Amen to Middlemarch!

Middlemarch Progress Report & Heroes

Middlemarch finally got good! This is probably because I’ve been dedicating more time to it lately, though I do believe one reason it’s improving is because xxxxx died. (Name withheld to protect the unread.) The author has just introduced new characters, however, and I have less than 400 pages to go! There are so many people it’s like I’m reading Tolstoy again but without the depth of character. I think she may have done better with fewer characters and more character development. At this point in the book I should be able to guess how the main characters will behave. I have been enjoying the story so much, though, that I quit listening to the audio book and started reading again – I can read faster than I can listen, apparently.

The other day I happened upon a list of Great Books. Homer and Sophocles and Aristophanes, oh my! I’m so glad I’m doing the BBC list instead. I enjoyed Medea in grad school, but I suspect a little of that sort of thing goes a long way.

I’ve also been listening to the audiobooks of Philip Pullman’s His Dark Materials trilogy. I hasten to add that I was not cheating on George Elliot because I’ve only been listening to the tale of Lyra and Will on the way to and from work, something I could not do with a digital copy of Middlemarch. (I could but I don’t have the right equipment.) I read the books about a decade ago so I knew what was going to happen, but that didn’t prevent me from crying the last two days as the story ended. I was so consumed by the characters that now I’m a little bit lost. Where are they and why aren’t they with me anymore? Can you imagine a world in which your favorite book characters live near you and you can visit them any time? ‘Twould have to be a large neighborhood.

Lyra and Will got me thinking about heroes and The Hero’s Journey, especially the young hero. After everything The Hero has been through -  the pain, the desolation, the never knowing if he’s going to survive the next ten minutes, the loss, the exhaustion, the betrayal – how messed up is this person as an adult? How can he just come home from that journey and live an average life? Do those memories get sublimated or does The Hero come to terms with what he faced? Did he live up to his potential or peak in adolescence like the uncle in Napoleon Dynamite? How many nights did Harry Potter wake up from a nightmare? Did he eventually have so much pent-up aggression that he became violent and roughed up a Death Eater? Did he get hooked on butterbeer?

You know what, I don’t want to know. The Hero’s Journey should inspire, and if we knew the rest of the story we would know the Hero is a mere human. Look at poor Arthur, losing Guinevere to his BFF! Dude, that’s harsh. We wind up pitying Arthur in the end as his dream melts like the Wicked Witch of the West after a bucket of water. (I hope that simile gives you a smile even though you’re depressed thinking about your favorite hero and how much the rest of his life sucked -- kinda like Lt. Dan in Forrest Gump before Forrest rescued him and stuff, though I've always thought the shrimp were the deciding factor in that particular scenario.)

Middlemarch Again

So I'm listening to the audio book and wondering why I didn't trust my instincts when I put the book down the first time. I started at the beginning and am now on part 2 of 5, and the things that bothered me before bother me now. I don't like the narrator stepping out of 3rd person point of view to 1st person to provide information and opinions. I want to get lost in a book and it's difficult to do that with someone telling me stuff. It's jarring. And isn't it sort of cheating? Shouldn't we learn/decide the theme of the novel without being told directly in practically every chapter? Is it literary blasphemy to say these things of the great George Eliot?

Middlemarch includes a character like Mr Micawber in David Copperfield and Richard Carstone in Bleak House. He expects that something wonderful will simply fall out of the sky onto his feet. If only!

I will probably finish listening to the book because I'm both stubborn and parsimonious enough not to have spent $7.50 for nothing.

George Eliot